11 January 2017

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Speaking of objects in the mirror, good heavens! Arisia is coming up subito.  Hope to see some of you there.

Reading: Friesner, Gilman, Schneyer
Friday 8:30 PM
Readings by Esther Friesner, Greer Gilman and Ken Schneyer

Traditional Ballad Bingo
Saturday 5:30 PM
Angela Kessler (m), Zoe Madonna, Greer Gilman, Jeremy Kessler, Lynn Noel, Sonya Taaffe

A themed sing wherein attendees take turns performing traditional ballads for the assemblage. Listen carefully to mark your Ballad Bingo cards when you detect such classic tropes as drowning, pregnancy out of wedlock, or murder of a loved one. Cards will be provided. Compete for "valuable" prizes!

The 100 Year Old Barbed Wire: The Great War & SF
Sunday 1:00 PM
Sioban Krzywicki (m), Greer Gilman, Debra Doyle, Alexander Jablokov, Sonya Taaffe

We are in the midst of the centenary of World War I. The US was not hit badly by it compared to Europe, and in 2017 the centenary of US involvement (6 April 1917) is coming up. How did the war and its aftermath change society and our idea of the future. Could
Brave New World or Things to Come or other early classics of speculative fiction been written without the war's impact? Why do so many alternate histories use earlier or later events as a changing point rather than this one?

Grounding Your Audience in a Sensory World
Sunday 7:00 PM
Ken Schneyer (m), Keffy R.M. Kehrli, Ruthanna Emrys, Greer Gilman, Sonya Taaffe

The five senses are appallingly underrepresented in modern fiction. Without sensory information, it's difficult to grab your audience and drag them into your protagonist's body. How do you portray senses other than sight? Can you use it to portray emotion? Where can you scrounge up alternatives for the words see, hear, feel, taste and smell, or "sixth sense" (psychic intuition)? Come learn how to describe your world in all of its glorious, sensory detail.

Another World, Another Time: Untapped Fantasy
Monday 11:30 AM
Cate Hirschbiel (m), James Hailer, Greer Gilman, Leigh Perry, Sonya Taaffe

We love our Medieval, Victorian, and Weird West fantasy, but there are a lot more times and places for magic and other worlds. Our panelists will talk about their favorite authors who went someplace different and what settings require more stories. How can we explore new settings and times while maintaining respect for the people and the cultures that reside there?



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