The original Authors game features portraits of the authors...
But we are not good at portraiture, so we used symbols for each author. sartorias, you're a fan! pameladean, you're a sprig of rosemary!
(click through to embiggen)
Just now wakanomori, osprey_archer, and I played it. Very satisfying!
Except some of it doesn't seem to be, o hai, I am now making an effort, it is more that various academic things (seminars, conferences, etc) that I had flagged up in my diary ages ago finally came up and were all within the space of a few weeks, I don't know, it's the 'like buses' phenomenon. And some of them I did do some social interaction at and others I just slipped in and out, more or less.
Have booked up, what I was havering about, the annual conference in one of my spheres of interest that I was usually wont to go to but have missed the (I think) last two because I was not inspired by the overall theme that year. And it's not so much that I'm not inspired by this year's theme, it's more 'didn't they do something very similar a few years ago and I did a paper then, and don't really have anything new to say on the subject', so I didn't do that, but I think that it would be a useful one to go to to try and get me back into the groove for that thing that the editor at esteemed academic press was suggesting I might write and talk to people (if I can remember how to do that thing) and hear what's going on, and so on.
Also had a get-together with former line manager, which between the two of us and our commitments involves a lot of forward planning, but it was very nice to do it.
Have also done some (long) and (a bit less) outstanding life admin stuff, which I both feel pleased about and also as if I haven't actually done anything, which is weird.
Did I mention, getting revised article off last week, just before deadline? and then got out of office email from the editor saying away until end of month. WHUT. The peeves were in uproar.
And generally, I am still working out what I do with the day when it does not begin with posting an episode of Clorinda's memoirs and go on with compiling the next one. Okay, there are still snippets to come, but they come slowly.
I've been very lazy (also injured) this summer, and I could really feel it as I exercised. But as usual, the first set of push-ups was the worst, and they were less painful after that. I even did one set with my hands close together, which is the hardest for me. My wrists are no worse than usual this morning. My fingers are pretty swollen and not very bendy this morning. The high humidity today might be contributing.
Today is the staff luncheon, and then my group is leaving to do a team-building thing. Tonight, dinner at Kabobeesh. I don't think I will get much done.
I had heard absolutely nothing of Guillermo del Toro's The Shape of Water (2017) until this afternoon, but the trailer makes it look like something I should very definitely see in December. It looks like William Alland and Jack Arnold's Creature from the Black Lagoon (1954) retold through Jane Yolen's "The Lady and the Merman," which has haunted me since elementary school when I first read Neptune Rising: Songs and Tales of the Undersea Folk (1982). It looks sea-deep.
Speaking of oceanic things for which I may existentially blame Caitlín R. Kiernan: Delphine Cencig, "Poulpe Fiction."
In fact, I have another doctor's appointment tomorrow.
1. spatch sent me this handy-dandy list: "Times Doctor Who Was Ruined Forever." The site is snarky and some of their tags are jerkass, but the article itself is gold. "21/03/1981 – The best Doctor ever is replaced by a vet. Doctor Who dies."
2. Following my belated discovery of Jack Buchanan, I am pleased to see that the HFA will be showing Ernst Lubitsch's Monte Carlo (1930) on Friday. I wonder if I have ever actually seen Jeanette MacDonald.
3. I had no idea one of the performers of "The Grass Is Always Greener" was Lauren Bacall (and I think I had forgotten the song came from a musical by Kander and Ebb, although listening to its brassy swing, I don't know who else it could have been). Standing Room Only on WERS used to play it all the time. I like how her voice softens on the repeated line That's wonderful, but her unimpressed What's so wonderful? could pass for Elaine Stritch. This makes me desperately sad that Bacall never recorded "The Ladies Who Lunch."
4. This is a gorgeous photoset, but I would love to see the on-set photos from the shoot. Like, the backstage stuff. People just standing around on snack breaks, being Klimt paintings.
5. This was true last weekend as well, but I was at Readercon and couldn't do anything about it: spatch swapped in for one of the hosts of the PMRP's Murders and Scandals: Poe and Doyle at the last minute, so I'll see him this weekend on one of the nights I'm not seeing Jack Buchanan.
Raven Stratagem by Yoon Ha Lee is more straightforwardly comprehensible than Ninefox Gambit, but still had lots of wonderfully weird worldbuilding and characters with complex motivations. Plus, there were a couple of moments where I said, "Whoa. Wow," which I will not spoil here. Two books in, I still think this is one of the most creative science fiction worlds I've read in a long while.
I finished Raven Stratagem on Monday, my recovery day from Readercon, and then dove into The Strange Case of the Alchemist's Daughter by Theodora Goss, which I finished last night, and which is about monsters and about women, and how they can be the same thing. I think if you like Karen Joy Fowler's work, you might like this, and also if you love meta and revisionist tales and/or things set in Victorian England and relating to the stories of the nineteenth century. Goss works with female creations of fictional scientists (or hypothetical female creations/daughters) from The Strange Case of Dr. Jekyll and Mr. Hyde, Frankenstein, The Island of Dr. Moreau, and "Rappaccini's Daughter" by Nathaniel Hawthorne (which I have not read). Also, Holmes and Watson are in it, because of course they are. But overall, this is a meta novel, periodically festooned with commentary from the female characters about themselves, their stories, how their stories are told, and the idea of what a novel should be and how it should be written. And besides all that, it was fun. Highly recommended, because I think a lot of my Dreamwidth friends would like this, and I would love to hear what you think about it even if you don't like it.
What I read
Melisande Byrd His Lordship Takes a Bride: Regency Menage Romance (2015), very short, did what it says on the tin, pretty low stakes, even the nasty suitor who molests the female protag in a carriage (the Regency version of Not Safe In Taxis) just disappears. The style was not egregiously anachronistic (apart from one or two American spellings) but a bit bland.
Janet Malcolm, Forty-One False Starts: Essays on Artists and Writers (2013) - charity shop find. Some of the essays were of more interest to me than others, but all very well-written.
On the go
Matt Houlbrook, Prince of Tricksters: The Incredible True Story of Netley Lucas, Gentleman Crook (2016). I depose that somebody whose scams got rumbled and who was banged up in various institutions for his crimes is not exactly trickster royalty. He then went allegedly straight and got into journalism, partly writing up the inside stories of the crime world, but these are very much complicated by the author as to their authenticity and did he actually write them. While he was more of a career criminal than the opportunistic upperclass louts in the McLaren book mentioned last week, he did have claims to gentility, but again, so not Raffles The Amateur Cracksman.
I'm currently a bit bogged down in it, which may be a reflection of the author's own experiences in trying to write about somebody who lived by lying, had numerous false identities, etc etc (which are very much foregrounded).
Simon R Green, Moonbreaker (2017) - came out this week, I succumbed.
Also started one of the books for review.
There's a new Catherine Fox out tomorrow (allegedly)...
It is rare for me not to like Heflin in a film, even when he's playing kind of a dick, and he makes an engaging proto-nerd here, a slouchy, grouchy smart-ass in a lab coat who has managed to figure out that he's in love with his educated, attractive coworker but not yet that flirting by insult only works for Oscar Levant. (His eventual apology is legitimately adorable.) Hunt as Mitchell is nicely, unequivocally competent and has little time for her colleague's negging even as it's clear from space that she'd reciprocate his interest if he were only a little less schoolyard about it, but her character feels like a conservative compromise when she insists repeatedly—despite sufficient aptitude for chemistry that she has a master's degree in it—that forensics is "no career for a woman." I do appreciate that heteronormativity is defused at least once by McKay conceding wryly that it's "not much of a career for a man, either. No prestige, no glamour, no money. People holler at you when there are no miracles." I suppose it is also sociologically interesting that the script's anxiety about science and gender runs both ways—unless it's to prove that spending nine-tenths of your life behind a microscope doesn't make you less of a man, I have no idea why McKay is apparently incapable of confronting a suspect without a fight scene. He is otherwise not very macho, which I am fine with. He can't throw a dart straight to save his life. If the human heart were located in the right elbow, though, that firing-range target would have totally had it.
The extremely spoilery original trailer suggests that Kid Glove Killer was intended as the start of a series and I'm almost surprised it didn't happen—if Thin Man stand-ins Joel and Garda Sloane could get a trilogy, I don't see why we couldn't have enjoyed more McKay and Mitchell. As it is, the one film is all we've got. It runs 72 minutes and they are worth it all for the scene in which Heflin performs a precise, self-annotated mime of catching, cleaning, preparing, and then jettisoning a trout, all with the serious concentration of the slightly sloshed. He handles plain air so confidently, you can see the glint of the butter knife he's cleaning on the tablecloth and want to hand him one of those modern-day rubber grips for the ketchup bottle with the sticky cap. I have no idea if it was part of the original script or improvised on set or what on earth, but now I want to know where I can find more Van Heflin doing mime. He and Zinnemann would later reteam to superb and less comic effect in Act of Violence (1948). I appear to have seen Hunt as the Broadway-bent eldest of Frank Borzage's Seven Sweethearts (1942), but I don't hold it against her. Ava Gardner cameos as a cute married carhop. I hope to God mineral oil salad dressing is as much a thing of the past as the constant chain-smoking in chemically sensitive laboratory conditions. [edit: WHAT THE HELL IT'S NOT.] This investigation brought to you by my scientific backers at Patreon.
In other news, Wakanomori and I are nearly done watching Person of Interest. I *really* have liked this show. Not every single everything--I'm not into gangster plotlines--but all the characters, intensely, and the care with which the overall story arc was handled, and the AI, free will, ends-means, creator-created stuff, very much so.
My panels went well from my pov, and I had a few people (not people I already knew) tell me they enjoyed them, so that seems good! Next time, I think I will skip anything at 8:00 pm, though, because I have no brain left by then.
When I was home and not working yesterday, I did laundry then spent the rest of the day napping and reading in blessed seclusion.
yhlee gave me a test tube with a Dalek seal on top which makes me very, very happy. I am going to use it as a container for my tiny glow-in-the-dark 3D-printed Daleks and make little squeeing noises at it.
How about, not?
Do we not get the impression that he has a very halcyon vision of what working on the land might involve? I suspect that there are not enough lovely organic farms practising biodynamic agricultural methods to take up anything like the numbers of intending students there are each year and a lot of them would end up working in agribusiness enterprises (which I suppose might be a salutory awakening, or not).
Also, would not much of the work be seasonal? What would they do the rest of the time?
Might there not be objections from the local communities?
I also think of the lack of amenities in many rural parts, e.g. no or inadequate public transport: in the evenings, not in the least worn-out from hours of back-breaking toil for poverty wages, maybe they'll gather round and sing folk songs and dance traditional folk dances and practice folk crafts?
And actually, I don't think this is true:
We also know that without contact with nature we will not form an attachment, we will not learn to love it.
See the rise of the notion of the healing powers of nature and the pastoral way of life in Britain as the society became increasingly urbanised, and therefore romanticised the supposedly more simple and harmonious existence of country life.
I have a feeling that people who live close to nature know exactly how dreadful nature can be. Tetanus! Anthrax! entirely natural.
Doesn't say how long this charmer has been running a business, if you can call it that, but what I should have liked to have seen would have been a face-off between him and Driff Field, author of successive editions (last in 1995) of the idiosyncratic Driff's Guide to All The Secondhand and Antiquarian Bookshops in Britain (these are probably still worth reading if you ever come across copies, even though the information on actual bookshops is presumably waaaay out of date):
Hugely successful for its wit and wide coverage of the field, the guide was nonetheless chaotic, idiosyncratic and often sarcastic, with entries such as: "the b[oo]ks are slowly transforming themselves back into rags"; "judging by body temp, shop seems to have expired in 1930"; "I could smell a bargain, pity was I had a cold that day"; "owner has been unwell recently with bad back (possibly caused by turning on the customers once too often)".or at least how Driff would have written him up.
Yet another paean to the 'return' of the physical book and the allure of the bookshelves: My bookshelf says who I am – and a Kindle cannot do that.
Well, that depends whether your bookshelves do say who you are - mine, I depose, say 'I am large, I contain multitudes' - and whether you want this revealed to any casual observer - though I daresay anyone wishing to decode oursin from her bookshelves would have to be in and out of several rooms and up and down staircases.
(Also, of course, we may not have physical shelves to browse but we have our virtual ones, no?)
Today’s unlimited information makes the boundedness of bookcases profoundly comforting. My inner librarian is also soothed by arranging books. When my young children go to bed and I’m confronted by their daunting mess, my favourite activity is tidying their bookcase.*looks around at piles on floor* And not even the excuse of having small children.
Me, myself, today, I was actually doing something that might be considered my inner archivist at work - going through what I cannot even with any accuracy describe as my files, to bring some order into various matters of life admin, accumulated over a considerable period. The cobblers' children...
I had five program items on Friday. The first was my reading, which I think went well; it was recorded by both Readercon and Jim Freund of Hour of the Wolf, so I'll link to either or both as they're made available. I read from my recently completed, as yet unpublished short story "The Face of the Waters" with new poetry on either side and wore glasses in public for the first time, which was less a cosmetic issue than a matter of figuring out how to negotiate eye contact with my audience without bifocals. Of the panels that followed, I don't think any of them were trainwrecks: "I Am Become Death . . . No, I Mean Literally" went off-script almost immediately, but in an abstract, ethnographic way that the audience as well as the panelists seem to have enjoyed, and "The Works of Tanith Lee" was as wide-ranging as the literature we were talking about. I feel bad about overstating the degree to which I believe Owen Davies is a parental fuck-up during "Classic YA Book Club: The Dark Is Rising by Susan Cooper," but I regret nothing about rhapsodically anti-recommending Kathleen Sky's Witchdame (1985) in "Terrible . . . but Great" because somebody turned to me abruptly in an elevator the next day and complimented me on my flailing. More seriously, someone else told me that they had scoured the dealer's room for Lee's work because of the way I talked about her on the panel and been rewarded by everything they had read so far. That was really nice to hear.
In the one non-programming group activity I managed all weekend, I joined rushthatspeaks, ashnistrike, skygiants, and kate_nepveu for dinner at Taipei Cuisine, with dessert at Yocha afterward. There was sweet corn with salty egg yolk and chili-fried shrimp with peanuts and lotus root with mushrooms and sesame chicken and a couple of dishes that didn't work out but were worth ordering just to see what they were like, although "with bones in" is not how anybody was expecting the popcorn frog. I hope I can get a coconut smoothie with lychee jelly other places than Yocha, because it's a really nice dessert. I would not be the person to write it, but I hope someone does a serious critical survey of that phase of '80's fantasy when it was all idtastic, all the time.
I do not know if I can promise a Patreon review of it, but I nonetheless recommend "Level Seven" (1966), a formerly lost episode of Out of the Unknown (1965–71) adapted by J.B. Priestley from Mordecai Roshwald's 1959 pre-and-post-apocalyptic novel of the same name; it is more streamlined and more of a parable than its source material, but pulls no more punches when it comes to the likelihood of surviving MAD. Young David Collings turns out to remind me of Peter Cushing. I think it's the cheekbones and the breakdowns.
The rest of Friday night was terrible. Between four and five in the morning, I had some kind of severe allergic reaction to an unknown trigger. It was like anaphylaxis with violent nausea: I took Benadryl as soon as I realized that my throat and mouth were prickling and swelling and I had suddenly stopped being able to breathe through my nose and for all I know it saved my life, but did not prevent the rash all over my body or the wheezing when I breathed. Sleep was not so much a thing for the rest of the night. I took Benadryl conscientiously round the clock until this evening and the symptoms gradually subsided, but it took a full twelve hours for my mouth to stop being numb. I have no known food allergies; I am hoping I have not suddenly developed any. The best medical guess right now is either one bad shrimp or some kind of slow-building reaction to a medication I started a week and a half ago. I will be calling my doctors about it on Monday. It was scary.
I had one panel on Saturday at noon and I feel slightly as though I hallucinated my way through it, but I remember talking about Phyllis Gotlieb and Yoon Ha Lee and The Robots of Death (1977), because the panel was "Life, Love, and Robots," and then I drifted briefly through the dealers' room with my mother and ran into aedifica for a very careful lunch (I dissected the chicken out of a chicken sandwich) and then I slept for the rest of the afternoon. I did not manage to have dinner with yhlee. I did not manage to have dinner at all. I did manage to spend portions of the evening hanging out with Yoon and choco_frosh and Rush-That-Speaks and Ashnistrike and nineweaving, cautiously drinking herbal tea and eating my way through the pocketful of ginger chews I stole from the green room. Instead of attending any of the con's numerous room parties, I went back upstairs and answered some e-mail and continued reading Susan Cooper's The Dark Is Rising (1973), which I had brought in hardcover to the previous day's panel. spatch came out after his evening show and stayed with me just in case I stopped breathing in the middle of the night. I didn't.
I got the news about Jodie Whittaker's Thirteenth Doctor right before arriving for "Disturbed by Her Song: Gender, Queerness, and Sexuality in the Works of Tanith Lee," so Rush-That-Speaks and Steve Berman and I talked about Doctor Who for the first five minutes and I maintain gender-changing, self-reinventing immortals are totally on point for a discussion of Tanith Lee anyway. It was an enormously fun panel and may have repercussions.
This was a good year for books. I came away from the convention with Michael Thomas Ford's Lily (2016), L.A. Fields' Homo Superiors (2016), John Maddox Roberts' The Seven Hills (2005), Michael Cisco's The Wretch of the Sun (2016), Yevgeny Zamyatin's The Dragon (ed. and trans. Mirra Ginsburg, 1967), and five pulp novels by Fredric Brown all courtesy of alexxkay: The Fabulous Clipjoint (1947), The Dead Ringer (1948), The Bloody Moonlight (1949), The Screaming Mimi (1949), and Compliments of a Fiend (1950). I could not afford the first edition of Nicholas Stuart Gray's The Apple-Stone (1965) on display at Somewhere in Time Books, but I am going to look for it in libraries because either I've read the Nesbit-like scene in which the children bring a Bonfire Night guy to life and it takes its face and voice from all of them by turns or someone once described it to me and either way it gave me the same jolt of half-recognition as Eleanor Farjeon's The Silver Curlew (1953), so I need to figure out what happened there. This was not a good year for seeing people, but I am glad to have caught the people I did, like lesser_celery and Gillian Daniels and briefly rosefox, and especially pleased that I managed to snag a conversation with Michael Cisco and Farah Rose Smith on Friday before my corporeal manifestation blew up. I did not take notes on any programming, but Kate Nepveu did.
(Can Martin Landau have played one of the first queer characters I ever saw in a movie? We can argue about the positive representation of "Call it my woman's intuition, if you will" Leonard in North by Northwest (1959), but he's not even subtext: I always read him and James Mason and Eva Marie Saint as a triangle. I found out he had died as soon as I got home; I had already seen the same about George Romero and Maryam Mirzakhani. Jeez, Sunday.)
Either to sum up or really bury the lede, I can now announce that Steve Berman of Lethe Press will be publishing a collection of my short fiction in 2018. Details are yet to be determined, but it will be my first fiction collection since Singing Innocence and Experience in 2005 and I am incredibly happy about it. I will share the details as soon as they exist.
My plans for the immediate future involve sleep.
Bread during the week: brown oatmeal.
Saturday breakfast rolls: from the wholewheat nut bread recipe in James Beard, cutting down on the amount of sweetener he seems to think necessary - sugar AND honey!!! Nice. Haven't made these for yonks.
We stayed in Saturday evening and I made the following meal: starter of healthy-grilled asparagus and hard(ish)-boiled quails' eggs, sprinkled with a dukkah-type dry dressing of toasted sesame and sunflower seeds + pinenuts, crushed in a mortar; then smoked swordfish (which I had happened to spot in the organic butchers/fishmongers), which I served with ground black pepper and lemon, and a couscous and raisins salad dressed with lemon juice and olive oil, heritage tomatoes sliced and tossed in wild pomegranate vinegar with salt, sugar and basil (maybe it's me, but do heritage tomatoes, whatever their colour and shape, all taste like tomatoes?), and a hot cucumber pickle thing from one of my books of Japanese cooking - cut the cucumber in 4 lengthways, cut out the seeds, chop into batons, stirfry briefly in sesame oil with dried chile, add a mixture of soy sauce, rice vinegar and sugar (recipe also says salt, which I consider supererogatory with soy sauce) cook briefly, and leave to marinate for a bit.
Today's lunch: duck steaks, panfried and then rested as per instructions on packet, with Greek spinach rice (for some reason the rice was a bit too al dente), okra simmered with ginger, coriander and fish sauce, and padron peppers.